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More Neal Stephenson

by Jonathan 0 Comments

This video is an hour long, or roughly two and half cups of coffee, but the first three minutes is worth it alone. In the rest of the video, Stephenson talks about Anathem. If you’ve got the time, watch. It’s fascinating to see how a sci-fi author delves the modern day for material.

Oh yeah, read Anathem.

While I’m Busy…

by Jonathan 0 Comments

Until I finish this latest draft of my novel (I’m close. So very close), I’ll be posting videos of writerly and other artistic things. At least as I perceive them.  Hope you enjoy them until regularly scheduled programming resumes.

To kick things off, here is Neal Stephenson talking about SF/Fantasy Actors.

Book Trailer Shakedown

I cannot recommend this enough.

I cannot recommend this enough.

Book trailers are no longer novel (that pun’s free of charge). However, they still bear discussion because of their continued widespread use and debatable effectiveness.

I finished Anathem, by Neal Stephenson, about a week ago. Great book. I loved the juxtaposition of cloistered monastic life with raging 21st Century (and beyond, really) culture outside the monastery walls. When I first cracked the cover, I had no expectations of the plot, so it was to my pleasure that it unfolded in ways I hadn’t imagined.

This morning, I did a little search for Anathem to get a feel for some reviews and came across this book trailer:

[youtube=http://www.youtube.com/watch?v=mWs1h5WAjWY]

Alright. Not too bad. Having read the book, I followed the events pretty well and thought they were well represented. I like that there wasn’t any dialogue, just music and images. The quality of action scenes, on the other hand, seem very B-movie-esque to me. I’m not sure if this hurts a person’s reaction to the book or helps. Also, as an avid reader of books, I sure enjoy creating an image of the characters in my mind, without visual prompts. I’m glad I did not see this trailer before reading the book.

I looked forward to Anathem, probably more in anticipation of Stephenson’s storytelling than from anything else. Had I seen the book trailer, it probably wouldn’t have changed anything, but maybe it would have planted ideas in my head as to how things should look as I read them. I have to say that I like the view from my mind’s eye better than what I saw in the trailer.

Is the book trailer thing a response to the availability cheap distribution outlets like You Tube and Viddler (as well as others) or do they really work? I had no idea so I checked around. This post from Latino LA cites the success of Yiddish with Dick and Jane trailer. Janet Reid discusses the merits of Michael Connolly’s book trailer for the Brass Verdict (2008). The reactions to that trailer were mixed. Some were intrigued by it, while others didn’t think it tipped the scales. Build Buzz cites an article in the Wall Street Journal published last year. WSJ finds little evidence that the average book trailer has much impact on sales.

The more crumbs we can throw on the water, the more likely we are to catch more fish or ducks or whatever you catch with crumbs on the water, so in that regard, a trailer probably can’t hurt unless it looks like 1970’s Sasquatch siting footage.

Janet Reid says:

What I do know is there’s a big opportunity here for smart people who know how to put together compelling video trailers for not a lot of money.

The only problem in these well produced, big name star featured trailers is they will effectively eliminate most of the home made book trailers.

I agree with her first point wholeheartedly, I disagree with second because the lines between professional and homemade have blurred considerably over the last three years with the availability of video equipment, editing software and the people who know how to use them effectively. Oh yeah, I didn’t realize that was Corbin Bernsen in the Connelly’s trailer until I went to his website to find out more.

Ultimately, I think a trailer would increase my desire to read a book if it conveys the feel of the story’s world, the tone of the story, that I like. I don’t think a trailer would dissuade me from reading a book in which I was interested, nor do I think I would buy a book solely on the basis of a trailer.

Writing on the Road (or not)

by Jonathan 0 Comments
Yeah, Journey.

Yeah, Journey.

They say that the road ain’t no place to start a family.

–Steve Perry, lead singer of Journey.

The road is also no place for me to start a story. We just got back from Nags Head, NC where we visited with some old friends. I always marvel at how much I enjoy seeing those guys. This time our daughters, all around the 3 year mark played together and oozed cuteness wherever they trod. As much a success as the child’s play was, the writing suffered. I managed about 400 words during bed time one night and that was it. I didn’t get the opportunity to feel my way through the beginning of the story. The results were unsatisfactory, but at least they were something.

The weather was spectacular, not so much in a sunny paradise, brilliant sunset way, but in a rainy, windy, giant waves rolling in kind of way. Even so, it was a nice trip.

I also managed to read a hundred or so pages in Neal Stephenson’s Anathem. Good stuff. As he did with Quicksilver, Stephenson captivated me with his worldbuilding that is both alien and comfortably familiar–no small feat. I like to think of it as research.

Latest Reads

by Jonathan 0 Comments
20,000 Leagues Under the Sea or Check Out All These Cool Fish!

20,000 Leagues Under the Sea or Check Out All These Cool Fish!

I finally finished Neal Stephenson’s Quicksilver a few weeks ago. I had planned to hit Don Quixote next, but, for reasons too complicated and too boring to recount, I opted for 20,000 Leagues Under the Sea. I’m a little over half way through and I have to say that I’m getting more and more resentful with each page. I really wanted to like this book, but, so far I don’t.

Steinbeck's Tortilla Flat

First Edition of Steinbeck's Tortilla Flat

The story starts off well enough with a mysterious sea monster attacking ships, but bogs down in Verne’s love affair with marine biology. It’s kind of like ready Moby Dick, which is a pretty cool story, but having to slog through page after page of treatises on different whales and their respective anatomies. Hey Jules Verne, if I wanted to know so much about sea life, I would have been an ichthyologist. Perhaps if he had stuck with more sweeping description and less minutiae I would be less bitter.

On that note, I put down Verne and picked up Tortilla Flat by Steinbeck at the recommendation of a friend. I posted a couple of months ago about The Grapes of Wrath – if you don’t feel like checking that post out, just know that Grapes vaulted into my top 5 books of all time and I don’t even know what two of my top five are! Maybe that makes it a top 3. For the record Lord of the Rings and Song of Ice and Fire are my top 2.

Tortilla Flat delivers that same kind of feel as Grapes of Wrath. Set in Monteray, California at the end of World War I, Steinbeck delves into the lives of the paisanos just returned from war.

From Tortilla Flat Wikipedia Entry:

Above a town of Monterey on the California coast lies the shabby district of Tortilla Flat, inhabited by a loose gang of jobless locals of Mexican descent (who typically claim Spanish descent) whose riotous adventures are compared by Steinbeck to the exploits of the Knights of King Arthur.

Soft-hearted, unquestioningly loyal to one another, and in complete disregard of social conventions and expectations, the gutsy paisanos of Tortilla Flat cheerfully reside in a world of idyllic poverty. Steinbeck gives a description of a paisano, who according to Steinbeck speaks English with a paisano accent, and Spanish with a paisano accent: “He is a mixture of Spanish, Indian, Mexican and assorted Caucasian bloods. His ancestors have lived in California for a hundred years or two…. He lives in that uphill district above the town of Monterey called Tortilla Flat, though it isn’t flat at all.” Most of the action which takes place in the novel is in the idyllic time of Steinbeck’s own late teenage and young adult years, shortly after WW I (1919, approximately).

It’s a quick read and highly entertaining. I enjoy the way Steinbeck explores the ability of men to rationalize what would otherwise be considered reprehensible actions. If you haven’t read this, do yourself a favor and check this out. In the meantime, it’s back to 20,000 Leagues for me. Hopefully the story will emerge more frequently than the Nautilus does.

Inside Captain Nemos Floating Man Cave

Inside Captain Nemo's Floating Man Cave