The imagery of this post’s title is awful, but I like the meaning. I’ve hared off and slung a whole bunch of words down on my laptop and am close to wrapping up the first draft of my first novel. Part of me thinks I should have studied more about the craft: plot, characterization, setting, and so on. However, I may never have written if I had gone about it that way. I just got a couple of new books as a 9th anniversary gift from my loving and supportive wife (Thanks!). BTW, is the 9th anniversary the Book Anniversary? It is at our house. I picked up Emily’s Ghost by West Virginia’s own Denise Giardina and The Lady with the Little Dog by Chekhov.
Both books I received are Writer’s Digest publications. The first is Character & Viewpoint by Orson Scott Card. I posted a little while ago about the search for inspiration to keep going (or inspirado as the D calls it). I highlighted Card’s book, Writing Science Fiction & Fantasy there. Well, Mr. Card, your clever marketing pitch among those pages worked. I put Character & Viewpoint on my wishlist. So far I am enjoying it. Of course, I could read about the craft all day long and never do any writing. I think it will be useful over the long haul. I like Card’s easy style. He writes in a way that makes the techniques accessible, but not oversimplified.
The other book I received is Plot & Structure by James Scott Bell. Again, this book is written in a easy style. Bell opens the book by exposing what he calls the Big Lie, which, alone, is worth the price of admission. Granted, I just gave you a link to said opening for free, but whatever.
And I discovered the most incredible thing. The Big Lie was a lie. A person could learn how to write, because I was learning.
James Scott Bell from Plot & Structure.
I’m about 60 pages into the book and I find it to be useful. I don’t know how many of the exercises I’ll do, but some will dovetail nicely with the novel I’m already working on.
So here I am, my first draft almost complete and I’m reading books that might have made my writing life a little better had I read them before embarking on my journey of a thousand miles. I will be devouring these books now in hopes that I can put some of the info to good use during the revision phase as well as trying out some of the techniques for some short stories I have in mind. We shall see.
If anyone has any experience with these books, please feel free to share. Or, if you have other writing books you find useful, throw ’em out there!